St. Nicholas

St. Nicholas

Oil on Panel

Commissioned

On Exhibit in the Basilica of St. Nicola in Bari, Italy

In the spirit of Christmas, this is a commissioned portrait of St. Nicholas of Myra. The painting will be part of an exhibit at his home church, the Basilica of St. Nicola in Bari, Italy. 

According to the society of St. Nicholas website, He lived around 300 CE and is said to have attended the council of Nicea (from where we get the Nicean Creed). His legends revolve around helping young people and the poor. These legends inspired future generations in later centuries in the form of St. Nick (celebrated in much of Europe) and Santa Claus (celebrated in America). 

Read more here:
http://stnicholassociety.co.uk

In this portrait, St. Nicholas, dressed in traditional bishop's attire, engages young children of all ages. He even holds an infant to remind us of the gift of the Christ Child. One of the children plays with a toy ship. St. Nicholas is considered the patron saint of children and sailors among many other groups. The lighting behind St. Nicholas alludes to the giving light of Christ that shines though the stories of the saint's life.

Nativity: Mary

5"x7" Oil on Canvas

"But Mary treasured up all these things and pondered them in her heart." 
—Luke 2:19


This week's reflection on the Nativity is focused on Mary. Like Joseph, how unfathomable must have been her thoughts, joys and concerns about mothering the Christ child. We know a bit more about Mary from the Gospels. We know of her beautiful song in the first chapter of the Gospel of Luke (See my previous posting on the Magnificat). We know that she followed Jesus' ministry to the cross—and the resurrection. Of all of the passages about Mary in the scriptures, Luke 2:19 is my favorite. 

How we parents love to brag about our children. My facebook page is full of proud parent moments. How tempting it must have been for Mary to share the wonders her miraculous child. Even as the shepherds confirm the miracle of Emmanuel, Mary kept it all as treasures in her heart. 

The Iona community has a wonderful poem about the thoughts Mary could have been pondering in her heart:

What is this seed that God has planted,
unasked, uncompromised, unseen?
Unknown to everyone but angels
this gift has been.

And who am I to be the mother,
to give my womb at heaven’s behest,
to let my body be the hospice
and God the guest?

Oh, what a risk in such a nation,
in such a place, at such a time,
to come to people in transition
and yet in prime.

What if the baby I embody
should enter life deformed or strange,
unable to be known as normal,
to thrive or change?

What if the world, for spite, ignores him,
and friends keep back and parents scorn,
and every fear of every woman
in me is born?

Still, I will want to love and hold him,
his cry attend, his smile applaud.
I’ll mother him as any mortal,
and just like God.

Iona Community. Cloth for the Cradle: Worship Resources and Readings for Advent. Christmas and Epiphany. Wild Goose Resources Group. 1997.


May we treasure up the Word of God and ponder the mystery of Emmanuel in our hearts.

Nativity: Joseph

5"x7" Oil on Canvas

I can still vividly remember the night my first child was born. It was a night filled with excitement and anxiety. Most of all, I remember the feeling of helplessness. We began with a plan to deliver naturally. Many hours later, our son was born through surgery. I remember struggling  for those long hours to bring comfort to my wife. After our son was finally born,  I remember being overwhelmed with feelings of complete and utter inadequacy as a new parent. But I got through that time with the love of my wife, the support of my friends and family, and the love I had for my newborn son. As I reflect this Advent on the story of the Nativity, I think I can identify most with Joseph. But I suspect my story doesn't even scratch the surface of what Joseph must have felt.

Michael Card penned it best when he wrote a song from Joseph's perspective. "How can a man be Father to the Son of God?" was one of the most powerful lines in that song. Whatever feelings he had as a first-time parent must have been compounded ten-fold with the feelings of inadequacy of  being a parent to the Messiah. But I think Joseph's love for his new family and trust in God helped to give him confidence.

This is the first of four paintings on the Nativity. In this painting, Joseph is kneeling in the presence of the new born Messiah. He is also resting with a staff. A tool for traveling and protection, this staff serves as a symbol to remind us of his need for support. As future pieces to this Nativity story are revealed, you will soon see that his gaze is different from Mary's. Joseph is posed to appear to be looking at either Jesus or gazing outward. Joseph could be lovingly looking upon Jesus. But he also could be looking at the world around him—wondering what will be coming next in their wild adventure. He could be wondering how he is going to provide food and shelter for this new family. He could be just trying to understand where he fits into this incredible God moment.

Ultimately, like all new parents, I believe Joseph did his best with what he had—one day at a time. With the support of his wife, his family and friends, Joseph took on the challenge of parenthood. He worked hard. He made mistakes. He trusted in God. He loved Jesus. And in doing all of these things, Joseph helped to raise a baby boy to become the Son of God.

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Here is a link to video featuring "Joseph's Song" by Michael Card. The video shows other wonderful Nativity images. May the gifts of music and visual art bring your soul into a deeper relationship with God—our loving father.